10 Reviews: Best Mirrorless Camera for Low Lights (Apr 2024)
These best mirrorless camera for low lights will enable you to take high-quality pictures even when its dark! Ready to explore?
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Comparison Table
Even in low-light conditions, the most excellent low-light cameras can capture gorgeous, high-quality photographs. Some cameras are superior to others due to various factors, including sensor size, design, and pixel count. You may have to sacrifice other features, like shutter speed or video capability, but if you shoot primarily in low light, you probably won’t need super-fast shutter speeds either. But how can you pick the best camera for low-light photography with so many options? Then, check out our guides on the best mirrorless camera for low lights photography, as well as the buying guides!
Table of contents
Product list
- Nikon Z 6II: Mirrorless versatility on a whole new level
- Sony Alpha 7S III : F2.8 max aperture provides extraordinary exposure
- Canon EOS R6: High-speed continuous shooting of up to 12 fps
- Sony a7 III: 693-Point Hybrid AF System
- Nikon Z 5 : Sensor-shift vibration reduction
- Nikon Z 50: EXPEED 6 Image Processor; Built-In Flash
- Fujifilm X-T4: 5-axis in-body image stabilization
- Sony Alpha A6600: 5-axis SteadyShot inside stabilization
- Sony Alpha a6300: Advanced 24.2 MP Exmor CMOS sensor
- Olympus OM-D E-M10 Mark IV: 20 MP Live MOS Sensor
Frequently Asked Questions (FAQs)
Just in case you wonder
What is sensor size good for low-lights photography?
Consider the link between a camera’s sensor size and megapixel count when purchasing low-light cameras. Many pixels might be suitable for printing, but they can also cause additional image ‘noise’ or undesirable artifacts that reduce the clarity of your image. Because each pixel (or photosite) may emit a certain amount of heat during longer exposures, bigger sensors with more spread-out pixels generate less noise.
What lens should I use with a low-lights camera?
You can seek wide aperture zooms, primes, or any lens with an aperture of f/2.8 or less. It increases the amount of light that reaches the picture sensor. You’ll be able to purchase them if you choose an interchangeable-lens camera. However, if you select a small camera with a fixed lens, verify its maximum aperture to know what you’ve got to work with.
What ISO setting should I use in low light?
ISO relates to the image sensor’s sensitivity to light, expressed in tens, hundreds, thousands, and higher. In bright settings with ample sunlight, ISO 100 is excellent since it reduces the amount of picture noise. When the light is dim, a higher ISO compensates for light loss while still producing an acceptable exposure.
What should I pay attention to in choosing the best mirrorless camera for low lights?
Here are some of the essential factors you can to consider when buying the best mirrorless camera for low lights photography:
- Sensor size
- Megapixels
- Battery life
- Built-in WiFi
- Image Stabilization
10 Reviews: Best Mirrorless Camera for Low Lights (Apr 2024)
1.
Nikon
Z 6II
Mirrorless versatility on a whole new level
The Nikon Z6 II is, without a doubt, the best low-light mirrorless camera available in 2022. It combines class-leading high-ISO performance, in-body image stabilization, a fantastic shooting experience, and strong AF capabilities. In particular, the Nikon Z6 II has perhaps the best high-ISO performance. Thus, the Nikon Z6 II has one of the highest-resolution sensors on our list, with a resolution of 24 megapixels. Moreover, the Z6 II achieves the optimal resolution with acceptable file sizes and accurate cropping and printing capabilities, more than enough to please even the most discerning photographers.
"Works really well with the adapter for F mount lens."
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 14 fps |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
2.
Sony
Alpha 7S III
F2.8 max aperture provides extraordinary exposure
The Sony a7S III is primarily built for low-light filming, so it’s no surprise that the camera produces clear photos at ludicrous ISOs. The a7S III is a must-have for videographers working in low light. In addition, the Sony a7S III can capture stunning 4K/120p footage, a fully-articulating screen, in-body image stabilization, and a slew of special video features such as S-log, 240 frames per second while recording in HD, and more. Because the a7S III is primarily a video camera that can shoot stills, its primary stills limitation is its greatest low-light strength.
"This camera is worth ALL the hype. The auto-focus is AMAZING and the low-light performance is incredible as well."
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | N / A |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
3.
Canon
EOS R6
High-speed continuous shooting of up to 12 fps
The Canon EOS R6 can autofocus in near-darkness and offers a continuous shooting rate of 20 frames per second and superior autofocus. In addition to various typical capabilities, this camera delivers a few noteworthy additions where it matters. Moreover, the ISO performance is excellent, as expected from a cutting-edge 20 MP mirrorless camera. You can capture noise-free photographs at ISO 3200, stunning images at ISO 6400, and useable images at ISO 25600.
"This was such a great upgrade for me. I shoot automotive racing, and this thing keeps up with race cars going well over 170mph. Love everything about it."
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 12 fps |
LENS TYPE | Telephoto |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
4.
Sony
a7 III
693-Point Hybrid AF System
The Sony a7 III captures clear high-ISO images and has IBIS and Sony’s ground-breaking AF technology. So if you want a high-quality low-light body but can’t afford the competition, the a7 III is an excellent alternative. Moreover, like the Canon EOS R6, the Sony a7 III is an all-around camera that excels in all areas, including low-light photography. In fact, because of its superb focusing and low-light capabilities, the Sony a7 III appeals to enthusiasts, semi-professionals, professionals, and filmmakers alike.
"I bought it to start learning photography, and bought it by chance, but the camera is amazing. it provides a high resolution making the picture beautiful. also, the auto focus is good. it quickly and automatically to focus on an subject! overall, it is a good camera!"
by Gwen T
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | N / A |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
5.
Nikon
Z 5
Sensor-shift vibration reduction
If you’re searching for a low-light camera on a budget but don’t want to sacrifice capabilities, the Nikon Z5 is the way to go. In-body image stabilization for handheld picture capture in low light. A full-frame 24-megapixel sensor creates stunning photos. Moreover, noise appears about ISO 3200, although photos only begin to degrade in the ISO 12800 to ISO 25600 range. It gives you lots of areas to take nighttime street photography, shots of the night sky, interior portraiture, and even low-light wildlife photography.
"I picked up the Nikon Z5 to use with vintage manual lenses. Works great! Some day I may add a modern Nikon Z lens. Love the zoom feature for manual focus."
by G. Luna
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 4.5 fps |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
6.
Nikon
Z 50
EXPEED 6 Image Processor; Built-In Flash
The Nikon Z50 captures stunning low-light photographs and can focus even in complete darkness. However, anything beyond 18 megapixels is suitable for most professional applications. Unless you want to undertake large crops or generate wall-sized prints, 20+ megapixels will suffice. In addition, the Z50 usually focuses rapidly and can shoot at -4 EV, which is helpful for individuals who picture action inside or at night. Overall, the Nikon Z50 is a decent camera at an affordable price. It produces stunning picture quality if you don’t anticipate professional-level autofocus performance.
"superb pictures, high quality build, great touch controls, this is a very powerful camera, totally worth it."
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 11 fps |
LENS TYPE | Telephoto |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
7.
Fujifilm
X-T4
5-axis in-body image stabilization
The Fujifilm X-T4 is an actual professional camera in an APS-C chassis, with IBIS, unparalleled low-light focusing, and an excellent EVF. The Fujifilm X-T4 is a stunning camera in every way, from its design to its ergonomics to its low-light performance. The X-T4 is a beautiful pick for any low-light photographer who is lured in by the design and handling of Fujifilm products. Furthermore, the Fujifilm X-T4 isn’t for everyone, and it lacks the high-ISO capability of the less expensive Nikon Z50. Nevertheless, it checks most low-light boxes while providing a few abilities you won’t find on a regular Nikon, Sony, or Canon camera.
"I don't know how else to describe it, it's just an amazing camera that is a blast to use and shoot. It's now my on the go everywhere camera. It's also become my sports/wildlife camera due to its incredibly fast 30FPS in crop e shutter mode."
by Batman
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 15 fps |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
8.
Sony
Alpha A6600
5-axis SteadyShot inside stabilization
The Sony a6600 is a little camera that delivers a significant punch. The a6600 is ideal if you want in-body image stabilization and strong high-ISO capabilities at an affordable price. The Sony A6600 is Sony’s newest and finest APS-C mirrorless camera in its successful A6000-series. Moreover, its 24.2MP sensor and BIONZ X image processor are unremarkable, but Sony has gone all out with the A6600’s sophisticated autofocus and subject tracking features. New premium features include a weather-sealed magnesium alloy body that hides in-body sensor-shift image stabilization and a high-capacity battery.
"The best part of this camera comparing it to my other A6400 i the battery life! I do travel vlogging with it and somedays I only need to use 1 battery."
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 11 fps |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
9.
Sony
Alpha a6300
Advanced 24.2 MP Exmor CMOS sensor
Sony’s newest mid-range mirrorless camera is the a6300. It retains the 24MP resolution of the a6000, but the focusing capabilities, video capability, build quality, viewfinder resolution, and pricing have all been upgraded. However, the most intriguing update is the a6300’s new sensor. Despite the identical pixel count, the a6300’s sensor has 425 phase-detection AF points spread over the sensor. Regarding detecting and tracking subjects, the a6000 already had one of the best AF systems in its class, so an update in this area seems quite promising.
"As I’m getting to understand my Sony Alpha 6300 I haven’t mastered it as yet, but it’s a great buy and once I get more familiar with the settings it will produce much better quality."
by Seyon Reid
FORM FACTOR | Mirrorless |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | 11 fps |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
10.
Olympus
OM-D E-M10 Mark IV
20 MP Live MOS Sensor
The Olympus OM-D E-M10 is the third camera in the company’s OM-D portfolio and marks an additional tier in the lineup, lying below the E-M5 and the even more costly E-M1. The same 16-megapixel Four Thirds sensor is used. The E-M10 relies on genetics that is very adept. However, the E-M10 lacks the enthusiast-oriented features of the E-M1 since it is intended for a little more serious or developing photographer instead of a casual snapshot taker. With a built-in viewfinder, two control wheels, and various adjustable options, this camera is designed for the photographer who desires complete control over the shooting settings.
"This is a good camera for someone who understands cameras and photo taking . It is also good for someone who can only use it on auto. It’s an overall amazing camera. It is stylish and light weight."
FORM FACTOR | Ultracompact |
---|---|
WHITE BALANCE | Auto |
CONT. SHOOTING SPEED | N / A |
LENS TYPE | Zoom |
JPEG QUALITY LEVEL | Basic, Fine, Normal |
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Conclusion
In conclusion
Taking images or movies in low-light circumstances requires a high-end professional mirrorless camera with fast lenses. Thank you for spending time reading this content. Hopefully, you will find this article a valuable source of information. We’ll see you in the following excellent post!